Alhambra bracelet with gemstones
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Jewelry often carries more than beauty—it holds emotion. Whether celebrating a milestone or simply showing love, our pieces are made to mark those moments, becoming keepsakes that hold memories for years to come.
Yes. We know that beauty is not only what you see but also what you feel. Every curve, every weight, every clasp is considered—so when you wear our jewelry, it feels right, comfortable, and like it truly belongs to you.
Alhambra silver bracelet
With the Vintage Alhambra® reversible ring, the Maison introduced a transformative piece rooted in the tradition of convertible jewels. The two faces creation—one in guilloché yellow gold set with a diamond, the other in blue agate— and double-beaded contour echo the collection’s aesthetic codes. A pendant, watch and earrings, in blue agate, complete the set.
With the Vintage Alhambra® reversible ring, the Maison introduced a transformative piece rooted in the tradition of convertible jewels. The two faces creation—one in guilloché yellow gold set with a diamond, the other in blue agate— and double-beaded contour echo the collection’s aesthetic codes. A pendant, watch and earrings, in blue agate, complete the set.
For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.
Indulge in timeless elegance with the Van Cleef & Arpels Silver Obsidian Vintage Alhambra 5 motif bracelet. Crafted with intricate detail, the stunning silver obsidian stones are complemented by the luxurious rose gold finish. Complete with a full set, this bracelet is the perfect accessory for any sophisticated and exclusive look.
The company was formed a year after the 1895 marriage of Alfred Van Cleef, the son of a gem cutter, to Estelle Arpels, daughter of precious-stones dealer Salomon Arpels. Ten years later, Van Cleef & Arpels opened its first boutique on the Place Vendôme in Paris, setting the march on a square now crowded with dealers in bijouterie. (The company still occupies the New York flagship store opened in 1939 at Fifth Avenue and 57th Street.)
Lately, attention among collectors and connoisseurs has centered on Van Cleef & Arpels’s quality of workmanship as much as its glamour. The firm was the subject of a 2012 show at the Cooper-Hewitt, Smithsonian Design Museum, as well as exhibitions at the Bowers Museum in Santa Ana, California, in 2013 and at the Musée des Arts Décoratifs in Paris in 2014.
Alhambra bracelet charms
Bracelets were among the jewels discovered to have been buried with Pharaoh Tutankhamun when his tomb was unearthed in 1922, and wrist and arm bracelets were allegedly worn by Queen Puabi in Sumer, southern Mesopotamia. But preceding the adornments of Ancient Egypt and elsewhere, the people of prehistoric times likely wore the decorative accessory, fashioning it from shells and fish bones. When the Bronze Age allowed for more durable materials and semiprecious stones to be incorporated into jewelry, bracelets became a treasured symbol of wealth.
Lately, attention among collectors and connoisseurs has centered on Van Cleef & Arpels’s quality of workmanship as much as its glamour. The firm was the subject of a 2012 show at the Cooper-Hewitt, Smithsonian Design Museum, as well as exhibitions at the Bowers Museum in Santa Ana, California, in 2013 and at the Musée des Arts Décoratifs in Paris in 2014.
One of the world’s foremost jewelry houses, Van Cleef & Arpels is particularly noted for a focus on technical virtuosity, craftsmanship and artistry, evident since its beginning. Rather than create earrings, bracelets, necklaces and other adornments primarily for the aim of displaying of wealth and opulence, Van Cleef & Arpels sought to produce jewelry that projected the wearer’s taste and style.
Created in 1968 by Van Cleef & Arpels and inspired by the four-leaf clover, the Alhambra® jewelry collection has established itself as a timeless symbol of luck. Its pure lines and distinctive beaded contour combined with a broad palette of natural materials celebrate the Maison’s creativity.
Alhambra bracelet design
Enter the Swinging Sixties: The free-spirited decade ushered in Twiggy and Cher, miniskirts and slinky silhouettes, vastly departing from the traditions of the first half of the century. It fast-forwarded a sense of style for independent women who could buy their own jewelry. Women wanted day-to-night versatility to accommodate their bustling careers and busy social lives. Sculptural haute jewelry itself suddenly belonged to the previous generation, and it demanded reinterpretation.
The Alhambra motif is a break with traditional pieces – overloaded with precious stones – and is cast in a simple, light, eminently refined gold. In rings, earrings, necklaces or bracelets, the company’s motif can be worn in all variations. In diamonds, yellow or white gold… This symbol of luck is absolutely chic !
In addition, Van Cleef & Arpels is known for producing high-quality jewellery, using premium materials and expert craftsmanship, making the Alhambra bracelet a durable and long-lasting investment. And ultimately, if you enjoy wearing and owning this high-value bracelet, the personal satisfaction you get from it is a valuable investment in your own happiness.
2011 : For the season, the house revisits the vintage Alhambra with a set in pink gold and pierced with a pistil tone on tone or set with a diamond, as well as the Magic Alhambra, in white gold and entirely paved with diamonds.
In 1954, Van Cleef and Arpels recognized the need to expand its base and released La Boutique, a collection of whimsical animal brooches made of semi-precious stones to draw in a younger consumer. Not only did La Boutique reach its intended demographic, but it also turned the heads of its longtime devotees—which encouraged Van Cleef to lean in to current trends.
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